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Rejections

Rejection 300!

Jac Jemc

Beautiful Unicorn

Beautiful Unicorn

Honestly, 300 rejections seems like a paltry amount to me at this point. I've been sending work out for close to 10 years, and that only averages to 30 rejections a year. Granted, that count only tallies magazine rejections. In the beginning I didn't count book rejections because publishing a book was not even on my radar. I was only thinking in terms of the lofty goal of publishing a story or a poem in a tiny lit mag. I could go back and count up the book rejections and job rejections and panel rejections and residency rejections that should be included, too, and maybe that number would feel truer or heftier, but I'm too lazy to do such a thing. The feeling I have right now at crossing the threshold of another hundred is: I probably could have tried harder. But also: I'm a pretty vocal proponent of trying to fit in real life with the writing life, and I feel ok that I'm where I'm at, and with all of the living that has gone on around those rejections.

Rejection 300 was from One Story, and from what I can glean, it was an encouragement. "We liked this. Send us more." That seems like a nice one with which to hit 300. 

A friend of mine's book just rang in at #19 on the NY Times Bestseller List and he posted the following from Gary Shteyngart that really is a beautiful sentiment to keep in mind always: "If you’re crazy enough to still write literary fiction, you have to worship your readers, not the other way around. Today I see each of my readers as a gilded unicorn with a cronut hanging off her horn. I sign my books, take a selfie with the unicorn, and go back to my hotel room teary-eyed, because I know that someone in this universe still has time for what I do."

Rejection 299 and a Residency Acceptance

Jac Jemc

You can find me deep in the thicket.

You can find me deep in the thicket.

Crazyhorse doesn't want the essay I sent their way. It might have been a "Pass with request for more." Sometimes it's hard to tell the flat-out rejections from the encouragement letters. Or perhaps I'm having an optimistic day. 

Good news though: I was accepted to the Thicket Residency this late winter/early spring. It's a tiny residency on a farm in Darien, Georgia, and I'm thrilled that I'll be going there to get some work done, and looking forward to exploring nearby Savannah a bit, too. 

New Poems Live at Fou

Jac Jemc

I have a couple new poems up at the lovely Fou alongside Sierra Nelson and many other talented folks. Thanks to Cate Peebles for welcoming me back into the poetry fold.

I also am very pleased to announce that I'll be presenting at the Letters Festival in Atlanta November 12-14 with friends/heroes Amelia Gray, Dorothea Lasky and Janaka Stucky. Hope to see you there!

Rejection 297

Jac Jemc

This is what it was like eating the soup.

This is what it was like eating the soup.

 

Granta does not want the essay I sent them. 

But I reviewed a terrible soup over at Hobart: Mushroom Madeira Bisque

And I'm reading at the ChiPRC anniversary reading on Friday night. See the Events page for more details.

Two Poetry Book Rejections and Rejection 296

Jac Jemc

Both the incredible Sator Press and Tarpaulin Sky do not want my poetry book. I think the book will take a little nap now, a little rest away from submission for a while.

An essay was also rejected by the Oxford American. 

And the Illinois Arts Council officially notified grant applicants that there are no longer funds for the arts grants we applied for, so that was a sadly useless application I gave my time to. I feel for the IAC though. I see their social media trying to point people to other sources of funding and I feel for the people doing that good work. I know they are probably more frustrated than the rest of us. 

Some real talk: I've been working on this funny little novel for over four years. That's not even that long, but I've found it's taking a toll. Working on something longer means that you don't get those little boosts from sending out stories and essays and individual poems and having an editor say, "Yes, this is great! We'll take it! Keep going!" When I started working on this manuscript I felt the odd loss of that encouragement and then I made my peace with it. I think it's worth acknowledging that that sense of loss and insecurity has returned. It's fine. My confidence will return, but it's been helpful to me in the past to know that even the most successful people doubt themselves and worry that they've been fooling the world and will be revealed as the fakes they feel they are. I try to stay thankful and remember that these lows make the good news feel all the better, but it's a tricky dynamic and I wish you all the best in navigating your particular version of it. 

Poetry Book Rejection and No Advance on Creative Capital

Jac Jemc

 

The incredible Action Books doesn't want my poetry book, but I realize I was really shooting for the moon there. The books they will put out though are sure to be INCREDIBLE. Especially excited for Overpour from Jane Wong. 

I also found out today that I wasn't selected to move to the next stage of the Creative Capital Grant application process. I'm told 33% of awardees have applied multiple times though, so that's promising!

And a nice little review of A Different Bed Every Time  has gone up at Pamplemousse. Thanks to Jensen Beach for sharing the book with his students!

Rejections 294 & 295

Jac Jemc

The Georgia Review did not want the story I sent them and AGNI didn't want the essay I passed their way. 

BUT, I'm interviewing Jacky Collis Harvey at the Printers Row Lit Fest in June and I'm teaching a workshop at The Northwestern Summer Writers Conference in July. 

And my Non-Reader Spotlights are back in action at Hobart: Seth Fein and Justine Bursoni.

Always a balance.

 

Rejections 291 & 292

Jac Jemc

CopperNickel didn't want an essay I sent them. 

BOMB didn't want a different essay I sent them. 

But, I feel super engaged in lit right now. Lots of little projects going on. Thinking about writing and lit a lot. Making more time for it than I have since grad school (excluding residencies). Feels good!